Her name is Christine 4K. Its classical forms are admired. She seduces 17-year-old Arnie Cunningham and makes him his servant. She does not and can not have rivals, because she kills them. It requires unconditional submission.
She's ... a car! To save his life, the young man must devote her to the cruel Christine 4K. The history of the luxurious red Plymouth of 1958 is full of terrible secrets. All his previous masters were killed. And the young Romeo should become another victim of the insatiable Juliet.
Christine 4K review
"Christine 4K" - a wonderful adaptation of the novel by Stephen King from the recognized master of horrors John Carpenter. One of the few directors, Carpenter, removes a truly high-quality and fascinating spectacle. "Christina" is an original, original and therefore even more valuable film. Have you seen a lot of the horror genre tapes that have not only an exciting but well-constructed plot?
Christine 4K. Not surprisingly, young Arnie Cunningham fell in love with her at first sight. Next to Christina, he changes beyond recognition. Now he no longer suffers from numerous complexes. With it, he becomes self-confident, she turns Arnie from a boy into a real man. However, on the path of their burning passion, the former girlfriend of Arnie, her parents, her envoys from the school, the police are completely out of place. And it is not surprising, because Arnie and Christina are so different. She is much older. She is Plymouth Fury in 1958. She's a car! It was love till the grave. Sensitive Christina is ready to tear down anyone who will stand between her and the master.
The story of the boy, who received an unexpected release from many teenage problems, is told unusually, fascinatingly. Although, for the sake of justice, it is worth noting the significant difference between the film and the source - the book "King of Horrors" by Stephen King. John Carpenter's painting is not a horror film at all, it's more of a witty satire on the theme of a riot of intelligent cars, long riddled with literature, against a man. Carpenter, without acrimony, with a delicate irony, ridicules the usual cliches of teenage comedies and melodramas, which makes viewing doubly interesting.