Rambo Last Blood 4K 2019 Ultra HD 2160p

Rambo Last Blood 4K required to view. Vietnam War veteran John Rambo (Sylvester Stallone) suffers from post-traumatic stress disorder and lives on an inconspicuous ranch in Arizona, interrupted by small part-time jobs. Once, an old acquaintance of the hero Maria tells Rambo that her granddaughter went missing after she went to Mexico for a party. John has no choice but to cross the US-Mexican border to find the girl. A trip to Mexico turns into a real descent to hell for Rambo, because there he discovers sex traffic organized by unprincipled representatives of the drug syndicate. With the support of the journalist Carmen Delgado (Pas Vega), whose half-sister was also abducted, Rambo must use all his skills to save the girls and deal with the cruel leader of the cartel once and for all.

Rambo Last Blood 4K review
Elderly John Rambo (Sylvester Stallone) spends his days on a ranch in Arizona, going around horses and preparing his niece Gabrielle for college. But a calm and measured life ends when the girl goes to Mexico to meet her biological father, who left her, and falls into sex slavery to a powerful cartel. Rambo sets off in search of her and crosses the border with Mexico.

Clin Eastwood traveled to the Drug Courier, and now it’s time to go there to the character whose name causes nostalgic trepidation for everyone over 40. The motion vector is clear, because the party points there - Donald Trump wanted to separate himself from Mexico by the wall, and here we have the one who will build it with the help of a bazooka and a machete.

Rambo did not in vain raise his head resembling a deformed rubber tire precisely under Trump at the throne. A fierce Vietnam veteran was created in the eighties under Ronald Reagan, who first appealed to voters with phrases about returning America to its former greatness. Given the powerful wave of retro-mania in the eighties and Trump's cosplay, the moment for the return of the fighter from the video salons to the screens seemed rather successful.

However, luck and a sculptural veteran do not always go hand in hand. Films of this franchise are similar to their main character - they are also full of contradictions, absolutely devoid of any humor and have a solid forehead, which does not always contribute to an interesting viewing. Those born in the seventies do not need to explain for a long time what awaits them in the next part of the saga. But for the next generations, which are distinguished by their special moral sensitivity, questions may arise why they should look at the 73-year-old thug in the background, who sits almost the entire film on his porch of his farm in a rocking chair, and in the finale arranges a bloodbath with a caricature to the enemies. Who is this woman who lives on a farm with him and constantly compares Rambo with his father, and what is their relationship? Who accounts for his niece as a daughter? Did Rambo have a sister? What kind of rainy night cataclysm show us in the prologue of the film? How did freelance journalist (Paz Vega) help (and did it help at all) after he appeared at her doorstep asking for help? There are a lot of questions, and there is no certainty that Stallone himself knows the answers to them.

However, do not disturb uncle or father with questions. When the elders begin to have problems with the formulations, they enter the berserk mode and begin brutally crushing black, white, red, Vietnamese, Japs, Latinos, reptilians, in the end. And one cannot fail to admit that it is precisely these moments that we go to look at films about Rambo, and not behind deeply prescribed characters or subtle psychological squiggles. When in the underground tunnel dug up by a paranoid survivist, the Doors “Five to One” cuts to the fullest and blood begins to pour (is it the last?), All the questions get lumpy in the throat of the viewer - except for one, why it was so godless to delay this moment . Adam's apple are torn out, the insides are cut with a knife, heads are cut off, and, finally, the heart breaks out of the chest with bare hands. Volodenka, I’ll bite you with my teeth. We can expect such sophisticated violence in such a powerful concentration from the film by Nicholas Winding Refn, Ben Wheatley, Panos Cosmatos (the son of the creator of Rambo 2, if someone does not know) or other authors who are much more familiar and digestible for millennials. Gilt? Of course. Late? Another one. Will Sly make young people respect themselves in the same way? Does he need this in principle?

It seems that he still needs it. In one of the episodes of the film, he, together with his faithful (companion? Assistant? Housewife? Totem animal?), Watches the party of his niece and her friends. An aged woman characterizes the sound of trap columns as garbage, and says that earlier the grass was greener. Rambo, shrugging his shoulders, said: "But I am fine." And when at the final credits Stallone launches an artlessly made montage of the best moments of the franchise films, and then, having gobbled up on his horse, starts galloping towards the horizon, the viewer has a vague suspicion that this character should not be rushed to bury. He still has things to do.