Very pleased with the movie download Avengers Endgame 4K. A group of surviving Avengers and Guardians of the Galaxy joins forces with Captain Marvel (Bree Larson) to enter the last stage of the war with Thanos (Josh Brolin), who owns the omnipotent Glove of Infinity. The final battle is coming between the forces of heroes and Mad Titan, which once and for all will determine the future fate of not only the Earth, but the entire universe. I watched and got enough to watch the movie Avengers Endgame 4K.
Avengers Endgame 4K ReviewAfter the click of Thanos at the end of the “Infinity War”, half of all life in the Universe turned to dust. Someone is trying to put up with the loss, someone after losing loved ones goes crazy. And the remnants of the Avengers 4K, the space raccoon Rocket, and Captain Marvel, who arrived on a call from a pager, are trying to find a way to fix everything. But for this they need to find Thanos and take away the Stones from him - at any cost.
The new Avengers UHD found themselves in a situation that even the loudest and most anticipated blockbusters of the last, I don’t know, century have dreamed of in a nightmare (only the seventh Star Wars comes to mind, but the situation there is simpler). Together with great respect for the film for its very existence - not everyone believed in the ability of Feigi and the team to put an end to (or at least a bold comma) in their grand plan - there is an even more impressive burden of responsibility. A minefield of theories and plots, which, in the viewer's view, can easily turn out to be more interesting than what they eventually see: the fan imagination had a whole year to catch the big shot and build the craziest expectations.
Marvel’s entire past experience here works as a musical resonator - enhances any hit of the “Final”, but makes every wrong note louder and more painful. The film is generally easy to imagine as an ultimate collection of all the advantages and disadvantages of the film universe, which together accumulate in a three-hour saga. From the first - a familiar drive and an amusing game with characters, a one-dimensional but spectacular exhibition of folk achievements, where every “cool” hero looks even cooler, but every boring forest tries to suck all the joy out of the screen space. Of the second - too obvious sociality (for example, there is an ugly frame where all the superheroes line up to show that they are here, yes, they are present) and insulting little attention to action expressiveness. For a blockbuster of unprecedented proportions, “Finale” looks not only cheap, but also not very impressive: Disney generally began to save a lot on CGI and spectacular directors.
After the “Infinity War”, which found a fresh intonation within the MCU, the “Finale” may even seem a little regressive - he is not trying to show anything new or too unexpected. But so, in general, the good finals of good series should work (which, undoubtedly, the Marvel cinematic universe is): to generalize and summarize, not complicate, but to simplify the narrative already overloaded with events and heroes. Therefore, it was so important to find directors like the Rousseau brothers - thorough artisans who could unravel the gigantic ambitions of the mega-plot with a warm heart and a cold head.
They measure conflicts over time and manipulate the input ones (and through them the audience) with mathematical precision, and from the overloaded “given” they derive a rather coherent “solution”. None of the heroes whom only the most cynical viewers have managed to get stuck in for 11 years will not be deprived of attention here, they will sum up all the necessary features and results: from each, as they say, according to his abilities, to each - according to catharsis. It’s a shame except for Thanos, who couldn’t find a place on this holiday of life - the colorful antagonist from The Infinity War with at least some philosophy (albeit silly) became a typical one-day villain with absurd destructive plans, whose liveliness was limited to that very one a reference to the Gladiator from the trailers.
But all those forgotten here will be remembered for sure, all the old abscesses will be opened for the last time: “The Final” passes along a peculiar walk of fame, quotes entire scenes and, without any twinges of conscience, engages in frank fan service. However, he does it mostly talented and moderately witty (although there is one hysterically funny gag). Yes, and it would be strange to scold him for too strong a craving for nostalgia - Marvel deserved a little pride, and the fans are only welcome. The rest, in general, is not so important - the wrong goals are set before the film in order to seriously criticize it for the lack of originality.
At the same time, despite the clear superiority of the super-tasks over the story itself, the “Finale” is surprisingly structured dramatically. Let, with the exception of the details, the decoupling is more or less clear to everyone (especially with the knowledge of which sequels are already in production), live suspense does not go anywhere - fortunately, the scenic bits are placed with the same academic instinct. At the best moments, the film makes you forget how important it is in large contexts, how epochal, huge and incredible it is, it is freed from all emotional add-ons and allows you to relive the story with almost childlike spontaneity. And with children's questions in his head: not “How will they end the story, leaving a place for sequels?”, But naive “How will the heroes cope with this and how will they manage to save the world if everyone around is evil and everything is against them?” For a film of such magnitude and such information redundancy, this